The Korean Wave’s early writers emphasised the uniqueness of Korean culture and the importance of digital advancements such as YouTube on K-success. pop’s Many of them thought it was merely a passing occurrence. However, the Korean Wave has evolved into a global pop culture that can be found on a variety of new media platforms, including internet and mobile platforms. Korean dramas have been broadcast in more than 80 countries, with more than 50 billion views and downloads of K-pop on YouTube in 2015. (Jang and Lee 6). In this way, the Korean Wave has increased global awareness and acceptance of Korean culture.

As the Korean Wave becomes a global pop culture phenomenon.

These events are referred to as “glocalizing dynamics,” in which a local country produces a new hybrid culture in response to global influence.

on regional culture In turn, the new hybrid culture has been devoured globally.

through cross-cultural communication based on shared cultural values As a result, nowadays,

Many countries’ popular culture industries respond to hybridised global and local influences.

when they are exposed to global cultural content The industries will benefit in this way.

promote global transnational cultural consumption and exchange This document

identifies these hybrid civilizations as “glocal culture” and focuses on them.

cultural resources and pop culture-related content Korean drama fits into this category.

Glocal culture includes things like K-pop.

These phenomena are referred to in this research as “glocalizing dynamics,” in which a local country generates a new hybrid culture in response to a global influence on local culture. Cultural contacts based on cultural commonalities have led to international consumption of the new hybrid culture. As a result, when they absorb global cultural content, many countries’ popular culture industries react to hybridised global and local environments. As a result, the industries foster global transnational cultural consumption and trade. This article refers to these hybrid cultures as “glocal culture,” and it concentrates on pop culture-related cultural resources and content. Korean drama and K-pop are examples of glocal culture in this sense.

The notion will be discussed initially in this paper.

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